Colour-first painting studio · Linden Hollow · by appointment

The colour you meant, not the chip you settled for.

Foxglove is a studio for one decision most households get rushed through: the colour. Two painted sample panels left on your wall for three days, a sheen map written for every surface in the room, and a rate card that prices the painting the same way it prices the choosing — plainly, by surface, before we open a tin.

The colour you meant, not the chip you settled for.

Every rate below includes the colour visit — sample panels on your wall, three days of your own light, and a named specification you keep whether or not we ever paint a stroke. studio@foxglovepaint.example

Services & rates

The rate card

The card prices the choosing and the painting on one sheet. Paint goes on at the till price with the receipt stapled — we sell colour advice, not markups.

The colour visit, per room$95

Sample panels, sheen map, named specification — yours to keep

Bedroom or study$455

Walls in washable matte; furniture moved and returned

Living room$915

Walls and ceiling; picture rails and radiators wiped and brushed

Hallway & stairs$340

Walls; skirts and spindles cut by hand

Kitchen & bathroom$520

Degreaser prime; mould-resistant system behind the shower

Woodwork, per opening$88

Doors, frames and skirting — sanded, primed, two topcoats

Cabinetry, spray finish$1,940

Per kitchen run; tented, four thin coats, factory-flat

The visit, credited−$95

Book any painting and the $95 comes off the invoice

The colour method

How the choosing works

Four visits, three of them short. The colour is the only thing we rush nowhere.

1

The visit — an hour at your table

We look at the light in every direction it arrives, talk about what the room is for, and leave two large painted sample panels — not chips — on the wall where the sofa lives.

2

Three days of your own light

North rooms eat colour at noon and give it back at dusk; the chip cannot tell you that, but your wall can. You live with both panels for three days; most clients know by the second morning.

3

The sheen map

Colour chosen, we write the sheen for every surface: dead-flat matte on ceilings, washable matte on walls, eggshell or satin where hands travel, and a scrub-safe gloss on the woodwork — one card, every room, no guessing at the counter.

4

The painting, to the card

Furniture moved, rooms tented and HEPA-extracted, two coats cut in by hand and laid off wet. The specification from visit one is the checklist at hand-back, and the leftover paint is labelled by room and left with you.

1,080
rooms coloured
since 2013, Linden Hollow & the vale
2 panels
on your wall, always
never a chip alone
3 days
to live with the colour
the choosing cannot be rushed
0
colours chosen from a fan deck
in the studio’s history
We had four grey samples in a drawer and two years of not choosing. Odette left two panels on the dining wall, and by the second breakfast we both pointed at the same one. The painting was almost an afterthought — the choosing was the service.
Ines & Tobias Frey · Millbrook Row · living room + hall, 2025

The wall

Rooms in their own light

Millbrook Row
Millbrook Row — the chosen ochre-grey at second breakfast
The Vale Road kitchen
The Vale Road kitchen — eggshell behind the range, wiped clean daily
Linden Hollow cottage
Linden Hollow cottage — north light on a fresh matte
Sallygate
Sallygate — sample panels still up, day two of three
The old bakehouse
The old bakehouse — filler feathered under the colour visit’s pick
Weir Terrace
Weir Terrace — hallway, spindles cut in by hand

Word of mouth

Three rooms, properly chosen

The sheen map alone was worth the visit. Our hallway had been a streaky satin mess for years because the last painter used one sheen everywhere — the card explained in a minute what I could not have diagnosed in a decade.
Marguerite Sabi · Weir Terrace · hall + stairs
They talked us OUT of the colour we arrived with, politely, with two panels and a north window. The one we chose instead is the thing every visitor mentions before they mention the furniture.
Kwame Asante · The old bakehouse · two rooms + woodwork
Cabinetry sprayed in our chosen colour, tented in the garage, back on soft-close hinges the same week — and the invoice matched the card to the dollar, including the visit they credited back.
Lotte Verhoeven · Sallygate · kitchen cabinetry

The card, the wall, the invoice

The rate card is the quote, the sample panels are the proof, and the invoice matches the card for the surfaces we walked together. If a chosen colour disappoints, the repaint of one room is half price inside the first year — choosing is hard, and we share the risk of it.

Asked at nearly every colour visit.

Fair questions

Why panels instead of chips?

A chip is ink on card under factory light; a panel is your paint on your wall at 7 a.m. in February. We have watched the same chip look like three different colours in three rooms of one house.

What if we cannot decide in three days?

Then we paint two more panels — different colours, not the same two — and the clock starts again. Eleven days is our record; that kitchen is now the one the whole street copies.

Do you paint exteriors too?

Yes, in the same colour-first way: the sample goes on the west gable, because that is the elevation the weather and the neighbours actually see, and the system underneath is a full three-coat specification.

Which paint do you use?

Washable mattes and eggshells from the makers a colour studio should carry — chosen with you at the visit for the room it must survive, billed at the till price, receipt stapled.

How far out is the studio booked?

Colour visits inside ten days; painting three to five weeks after the choosing. We will not compress the three days of panels to fit a calendar — that is the whole method.

Start with the wall you argue about.

Tell us the room and what it refuses to do. The colour visit is $95, credited against any painting, and the specification is yours either way. studio@foxglovepaint.example