Issue 14 — Autumn 2026
The Noise Issue
Sound, signal and the art of being heard. Twelve stories about everything we can’t stop listening to — and the quiet we keep losing.
- Turn it down Cities you can think in
- Tape culture The cassette comeback
- Everybody shouts Who is still listening?
- New!
- 212 pages of noise
- No ads. Ever.
- Staff pick
In this issue
p. 014
Turn it down
The architects designing cities you can hear yourself think in.
p. 028
Tape culture
Why a generation raised on streaming is buying cassettes again.
p. 046
Everybody shouts
Our lead feature: attention, volume and the art of being heard.
p. 072
Front row
Eleven nights in eleven rooms with the loudest bands in Europe.
p. 098
Long wave
A collector and the four hundred radios that fill her house.
p. 121
Signal tower
Photographs from the masts that carry everything we say.
Six of the twelve stories in print. Hover a line to hear it louder.
Lead feature — p. 046
Everybody is shouting. Who is still listening?
Volume is cheap. Attention is the rarest thing we make.
The loudest decade in history began quietly, with a notification sound nobody chose. Since then the average city has grown four decibels louder, the average feed forty times busier and the average listener a great deal more tired. We spent a year with the people pushing back — sound designers who remove noise for a living, librarians defending the last silent rooms, a radio station that broadcasts nothing but birdsong at 4am — to find out what it takes to be heard now, and whether the answer is simply to speak more softly.
The people who made this issue
Contributors
Ines Carvalho
Editor
Founded KIOSK on a kitchen table in 2019. Still answers every letter.
Theo Mbeki
Art director
Believes every page deserves one thing that is too big.
Rosa Lindgren
Photographer
Shot this issue’s cover on a single roll in one afternoon.
Kofi Asante
Writer
Spent a year recording the quietest places left in London.
Mara Quint
Illustrator
Draws with a photocopier, a scalpel and no undo button.
Juno Park
Type designer
Drew the masthead. Adjusts it by hand every issue.
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One letter a week from the editors: what we are reading, what we are listening to and what went to print. Loud ideas, quiet inbox.